Books published by publisher New American Library

Since his death in 1948, Aldo Leopold has been increasingly recognized as one of the indispensable figures of American environmentalism. A pioneering forester, sportsman, wildlife manager, and ecologist, he was also a gifted writer whose farsighted land ethic is proving increasingly relevant in our own time. Now, Leopold’s essential contributions to our literature––some hard-to-find or previously unpublished––are gathered in a single volume for the first time. Here is his classic A Sand County Almanac, hailed––with Thoreau’s Walden and Carson’s Silent Spring––as one of the main literary influences on the modern environmental movement. Published in 1949, it is still astonishing today: a vivid, firsthand, philosophical tour de force. Along with Sand County are more than fifty articles, essays, and lectures exploring the new complexities of ecological science and what we would now call environmental ethics. Leopold’s sharp-eyed, often humorous journals are illustrated here for the first time with his original photographs, drawings, and maps. Also unique to this collection is a selection of over 100 letters, most of them never before published, tracing his personal and professional evolution and his efforts to foster in others the love and sense of responsibility he felt for the land.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In one volume, two landmark novels about the terrible power of race in America from one of the foremost African American writers of the past century.Ann Petry is increasingly recognized as one of the essential American novelists of the twentieth century. Now, she joins the Library of America series with this deluxe hardcover volume gathering her two greatest works. Published in 1946 to widespread critical and popular acclaim--it was the first novel by an African-American woman to sell over a million copies--The Street follows Lutie Johnson, a young, newly single mother, as she struggles to make a better life for her son, Bub. An intimate account of the aspirations and challenges of black, female, working-class life, much of it set on a single block in Harlem, the novel exposes structural inequalities in American society while telling a complex human story, as overpriced housing, lack of opportunity, sexual harassment, and racism conspire to limit Lutie's potential and to break her buoyant spirit. Less widely read than her blockbuster debut and still underappreciated, The Narrows (1953) is Petry's most ambitious and accomplished novel--a multi-layered, stylistically innovative exploration of themes of race, class, sexuality, gender, and power in postwar America. Centered around an adulterous interracial affair in a small Connecticut town between the young black scholar-athlete Link Williams and white, privileged munitions heiress Camilo Sheffield, it is also a fond, incisive community portrait, full of unforgettable minor characters, unexpected humor, and a rich sense of history. Also included in the volume are three of Petry's previously uncollected essays related to the novels and a newly researched chronology of the author's life, prepared with the assistance of her daughter Elisabeth Petry.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In a lifetime of exploration, writing, and passionate political activism, John Muir became America's most eloquent spokesman for the mystery and majesty of the wilderness. A crucial figure in the creation of our national parks system and a far-seeing prophet of environmental awareness who founded the Sierra Club in 1892, he was also a master of natural description who evoked with unique power and intimacy the untrammeled landscapes of the American West. The Library of America's Nature Writings collects his most significant and best-loved works in a single volume, including: The Story of My Boyhood and Youth (1913), My First Summer in the Sierra (1911), The Mountains of California (1894) and Stickeen (1909). Rounding out the volume is a rich selection of essays—including "Yosemite Glaciers," "God's First Temples," "Snow-Storm on Mount Shasta," "The American Forests," and the late appeal "Save the Redwoods"—highlighting various aspects of his career: his exploration of the Grand Canyon and of what became Yosemite and Yellowstone national parks, his successful crusades to preserve the wilderness, his early walking tour to Florida, and the Alaska journey of 1879.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Winner of the Nobel Prize and a towering figure of twentieth-century literature, Saul Bellow secured his place as one of the most distinctive and significant writers of the postwar era with the publication of his third novel, The Adventures of Augie March. This Library of America volume collects all three of Bellow’s early works, beginning with Dangling Man (1944), an incisive character study cast in the form of a diary that depicts the anguish and uncertainty of a man known only as Joseph. Expecting to be deployed to the war overseas, Joseph quits his job and finds himself increasingly on edge when his draft board defers his enlistment. The first of his many books to take place in Chicago, Dangling Man is a spare, haunting novel in which Bellow lays bare Joseph’s dilemma with rigorous precision and subtlety.The Victim (1947), which Bellow described as “a novel whose theme is guilt,” is an unsettling moral parable. Left alone in New York City while his wife is visiting her family, Asa Leventhal is confronted by a former co-worker whom he can barely remember. What seems like a chance encounter evolves into an uncanny bond that threatens to ruin Leventhal’s life. As their relationship grows ever more volatile, Bellow stages a searching exploration of our obligations toward others.In a radical change of direction, Bellow next wrote The Adventures of Augie March (1953). Its eponymous hero grows up in a bustling Chicago peopled by characters as large as vital as the city itself, then sets off on travels that lead him through the byways of love and the disappointments of a fast-vanishing youth. Exuberant, uninhibited, jazzy, infused with Yiddishisms and a panoply of Depression-era voices, Augie March is borne aloft by an ebullient sense of irony. Winner of the 1954 National Book Award and praised by writers and critics ranging from Alfred Kazin to Salman Rushdie and Martin Amis, The Adventures of Augie March has had a lasting impact that shows no sign of abating.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Raymond Carver's spare dramas of loneliness, despair, and troubled relationships breathed new life into the American short story of the 1970s and '80s. In collections such as Will You Please Be Quiet, Please? and What We Talk About When We Talk About Love, Carver wrote with unflinching exactness about men and women enduring lives on the knife-edge of poverty and other deprivations. Beneath his pared-down surfaces run disturbing, violent undercurrents. Suggestive rather than explicit, and seeming all the more powerful for what is left unsaid, Carver's stories were held up as exemplars of a new school in American fiction known as minimalism or "dirty realism," a movement whose wide influence continues to this day. Carver's stories were brilliant in their detachment and use of the oblique, ambiguous gesture, yet there were signs of a different sort of sensibility at work. In books such as Cathedral and the later tales included in the collected stories volume Where I'm Calling From, Carver revealed himself to be a more expansive writer than in the earlier published books, displaying Chekhovian sympathies toward his characters and relying less on elliptical effects. In gathering all of Carver's stories, including early sketches and posthumously discovered works, The Library of America's Collected Stories provides a comprehensive overview of Carver's career as we have come to know it: the promise of Will You Please Be Quiet, Please? and the breakthrough of What We Talk About, on through the departures taken in Cathedral and the pathos of the late stories. But it also prompts a fresh consideration of Carver by presenting Beginners, an edition of the manuscript of What We Talk About When We Talk About Love that Carver submitted to Gordon Lish, his editor and a crucial influence on his development. Lish's editing was so extensive that at one point Carver wrote him an anguished letter asking him not to publish the book; now, for the first time, readers can read both the manuscript and published versions of the collection that established Carver as a major American writer. Offering a fascinating window into the complex, fraught relation between writer and editor, Beginners expands our sense of Carver and is essential reading for anyone who cares about his achievement.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Library of America presents a definitive collection of classic Westerns by America's master modern crime writer One of the great storytellers of our time, Elmore Leonard perfected his craft writing Westerns, a genre he loved. These tales--some adapted into such outstanding films as Hombre, Valdez Is Coming, and 3:10 to Yuma--are unexcelled for their wiry tautness, sharp characterizations, and jolts of unexpected humor. For sheer stripped-down narrative tension Leonard never did anything better, and the fresh twists he finds in resolving the genre's classic confrontations reveal a master at work. Whether describing a Civil War veteran coming back to find his homestead stolen (Last Stand at Saber River), a man raised by Apaches treated with contempt by the white settlers who will ultimately depend on him for their survival (Hombre), a local constable, tricked into killing an innocent man, fighting back against the powerful man who duped him (Valdez Is Coming), or two convicts in a desert prison--one African American and the other half-Apache--plotting a near-impossible escape (Forty Lashes Less One), Leonard's westerns are tough, suspenseful, convincing, and beautifully spare in style.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A masterpiece...a spellbinding work. A riveting re-creation of a savage crime. Remarkable, tensely exciting, moving, superbly written 'true account' In his re-creation of the brutal slaying of the Clutter family of Holcomb, Kansas-the police investigation that followed-the capture, trial and execution of the two young murderers Richard Hickock and Perry Smith....Truman Capote plumbed the minds and souls of real-life characters.

Collects: CRIME NOVELS: AMERICAN NOIR OF THE 1930s & 40sThe Postman Always Rings Twice by James M. CainThey Shoot Horses, Don’t They? by Horace McCoyThieves Like Us by Edward AndersonThe Big Clock by Kenneth FearingNightmare Alley by William Lindsay GreshamI Married a Dead Man by Cornell Woolrich990 pages • 978-1-883011-46-8 Library of America volume #94CRIME NOVELS: AMERICAN NOIR OF THE 1950sThe Killer Inside Me by Jim ThompsonThe Talented Mr. Ripley by Patricia HighsmithPick-Up by Charles WillefordDown There by David GoodisThe Real Cool Killers by Chester Himes892 pages • 978-1-883011-49-9 Library of America volume #95This adventurous two-volume collection presents a rich vein of modern American writing too often neglected in mainstream literary histories. Evolving out of the terse and violent hardboiled style of the pulp magazines, noir fiction expanded over the decades into a varied and innovative body of writing. Tapping deep roots in the American literary imagination, the novels in this volume explore themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life. The raw power of their vernacular style has profoundly influenced contemporary American culture and writing.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.